Look up French Horn F/Bb double horn valve fingerings, trigger combinations & partials.
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Analyze the natural harmonic overtone series (partials 2 through 16) for any F-horn or Bb-horn valve combination, returning equal-temperament cent deviations (e.g. -14 cents on 5th partial, -31 cents on 7th partial) and alternate valve solutions.
Horn side tube length: "F" (open fundamental F1) or "Bb" (trigger fundamental Bb1)
Valve combination (e.g. "0", "2", "1", "1-2", "2-3", "1-3", "1-2-3")
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Tool list last changed Nov 8, 2026.
Analyze the natural harmonic overtone series (partials 2 through 16) for any F-horn or Bb-horn valve combination, returning equal-temperament cent deviations (e.g. -14 cents on 5th partial, -31 cents on 7th partial) and alternate valve solutions.
| Argument | Type | Description |
|---|---|---|
| valves | string | Valve combination (e.g. "0", "2", "1", "1-2", "2-3", "1-3", "1-2-3") |
| hornSide* | string | Horn side tube length: "F" (open fundamental F1) or "Bb" (trigger fundamental Bb1) |
{
"type": "object",
"required": [
"hornSide"
],
"properties": {
"valves": {
"type": "string",
"description": "Valve combination (e.g. \"0\", \"2\", \"1\", \"1-2\", \"2-3\", \"1-3\", \"1-2-3\")"
},
"hornSide": {
"enum": [
"F",
"Bb"
],
"type": "string",
"description": "Horn side tube length: \"F\" (open fundamental F1) or \"Bb\" (trigger fundamental Bb1)"
}
}
}Diagnose pitch tendencies, right-hand bell acoustics, and Stopped Horn (gestopft / +) transposition rules (transpose down a half-step on the F horn side to compensate for the +1/2 step acoustic shortening when sealing the bell).
| Argument | Type | Description |
|---|---|---|
| topic* | string | Acoustic or intonation topic to diagnose |
{
"type": "object",
"required": [
"topic"
],
"properties": {
"topic": {
"enum": [
"stopped-horn",
"muted-horn",
"sharp-high-register",
"flat-5th-partial",
"right-hand-cup"
],
"type": "string",
"description": "Acoustic or intonation topic to diagnose"
}
}
}Generate a structured daily French Horn warm-up schedule covering harmonic lip slurs, Farkas long tones, double/triple tonguing, low-register pedal tones, and dynamic control tailored to available practice time.
| Argument | Type | Description |
|---|---|---|
| focusArea | string | Primary technical focus area for the session |
| durationMinutes* | number | Available warm-up duration in minutes (e.g. 15, 30, 45, 60) |
{
"type": "object",
"required": [
"durationMinutes"
],
"properties": {
"focusArea": {
"enum": [
"balanced",
"high-range-endurance",
"low-register-response",
"legato-lip-slurs",
"articulation-agility"
],
"type": "string",
"description": "Primary technical focus area for the session"
},
"durationMinutes": {
"type": "number",
"description": "Available warm-up duration in minutes (e.g. 15, 30, 45, 60)"
}
}
}Retrieve audition preparation notes, recommended F/Bb trigger fingerings, breathing plans, and historical crook transpositions for standard orchestral French Horn excerpts (Mozart 4, Beethoven 3/7/9, Brahms 1/3, Mahler 5, Strauss Till Eulenspiegel / Ein Heldenleben, Tchaikovsky 5).
| Argument | Type | Description |
|---|---|---|
| composerOrWork* | string | Composer or orchestral work name (e.g. "Mozart 4", "Strauss Till", "Tchaikovsky 5", "Brahms 3", "Beethoven 7", "Mahler 5") |
{
"type": "object",
"required": [
"composerOrWork"
],
"properties": {
"composerOrWork": {
"type": "string",
"description": "Composer or orchestral work name (e.g. \"Mozart 4\", \"Strauss Till\", \"Tchaikovsky 5\", \"Brahms 3\", \"Beethoven 7\", \"Mahler 5\")"
}
}
}Look up standard F-side and Bb-trigger valve fingerings, concert pitch transposition (down a perfect fifth), and harmonic tendency notes for any written French Horn note (e.g. "C4", "F4", "G4", "Bb4", "C5", "F5").
| Argument | Type | Description |
|---|---|---|
| note* | string | Written note name with octave (e.g. "C4", "F4", "G4", "Bb4", "C5", "F5") |
{
"type": "object",
"required": [
"note"
],
"properties": {
"note": {
"type": "string",
"description": "Written note name with octave (e.g. \"C4\", \"F4\", \"G4\", \"Bb4\", \"C5\", \"F5\")"
}
}
}Find optimal whole-tone and half-step trill fingerings on the F/Bb double horn, identifying whether a trill should be executed as a mechanical valve trill or a harmonic lip trill (common above written E5 on the F side).
| Argument | Type | Description |
|---|---|---|
| baseNote* | string | Principal written note of the trill (e.g. "F#4", "G4", "A4", "B4", "C5", "D5") |
| interval | string | Trill interval above the principal note ("half-step" or "whole-step") |
{
"type": "object",
"required": [
"baseNote"
],
"properties": {
"baseNote": {
"type": "string",
"description": "Principal written note of the trill (e.g. \"F#4\", \"G4\", \"A4\", \"B4\", \"C5\", \"D5\")"
},
"interval": {
"enum": [
"half-step",
"whole-step"
],
"type": "string",
"description": "Trill interval above the principal note (\"half-step\" or \"whole-step\")"
}
}
}Compare Kruspe wrap (Conn 8D style, dark orchestral projection, larger bell throat) vs Geyer/Knopf wrap (Yamaha 667/671, Alexander 103 style, smooth slurs, medium throat) and recommend mouthpiece cup depths and rim diameters by player level.
| Argument | Type | Description |
|---|---|---|
| playerLevel* | string | Player experience level or orchestral role |
{
"type": "object",
"required": [
"playerLevel"
],
"properties": {
"playerLevel": {
"enum": [
"beginner",
"intermediate-high-school",
"conservatory-orchestral",
"high-horn-principal",
"low-horn-section"
],
"type": "string",
"description": "Player experience level or orchestral role"
}
}
}Transpose written French Horn parts from historical orchestral crooks (Horn in Eb, D, C, G, A, E, Bb-alto, Bb-basso) to modern Horn in F written pitch and Concert Pitch, with interval semitone shifts and clef rules.
| Argument | Type | Description |
|---|---|---|
| sourceCrook* | string | Historical horn crook marked in the score (e.g. "Eb" for Beethoven Eroica, "D" for Bach/Mozart, "C" for Brahms) |
| writtenNote* | string | Written note in the original orchestral score (e.g. "C4", "G4", "E5") |
{
"type": "object",
"required": [
"writtenNote",
"sourceCrook"
],
"properties": {
"sourceCrook": {
"enum": [
"Eb",
"D",
"C",
"G",
"A",
"E",
"Bb-alto",
"Bb-basso",
"F"
],
"type": "string",
"description": "Historical horn crook marked in the score (e.g. \"Eb\" for Beethoven Eroica, \"D\" for Bach/Mozart, \"C\" for Brahms)"
},
"writtenNote": {
"type": "string",
"description": "Written note in the original orchestral score (e.g. \"C4\", \"G4\", \"E5\")"
}
}
}We read every tool's name, description and inputs the way the model will, looking for instructions hidden from you. A clean result means no warning signs, not a guarantee. Scanned Nov 8, 2026.
What changed in this server's tools since we started watching, newest first. Each change is scanned again.
Generate a structured daily French Horn warm-up schedule covering harmonic lip slurs, Farkas long tones, double/triple tonguing, low-register pedal tones, and dynamic control tailored to available practice time.
Compare Kruspe wrap (Conn 8D style, dark orchestral projection, larger bell throat) vs Geyer/Knopf wrap (Yamaha 667/671, Alexander 103 style, smooth slurs, medium throat) and recommend mouthpiece cup depths and rim diameters by player level.
Diagnose pitch tendencies, right-hand bell acoustics, and Stopped Horn (gestopft / +) transposition rules (transpose down a half-step on the F horn side to compensate for the +1/2 step acoustic shortening when sealing the bell).
Retrieve audition preparation notes, recommended F/Bb trigger fingerings, breathing plans, and historical crook transpositions for standard orchestral French Horn excerpts (Mozart 4, Beethoven 3/7/9, Brahms 1/3, Mahler 5, Strauss Till Eulenspiegel / Ein Heldenleben, Tchaikovsky 5).
Find optimal whole-tone and half-step trill fingerings on the F/Bb double horn, identifying whether a trill should be executed as a mechanical valve trill or a harmonic lip trill (common above written E5 on the F side).
Analyze the natural harmonic overtone series (partials 2 through 16) for any F-horn or Bb-horn valve combination, returning equal-temperament cent deviations (e.g. -14 cents on 5th partial, -31 cents on 7th partial) and alternate valve solutions.
Transpose written French Horn parts from historical orchestral crooks (Horn in Eb, D, C, G, A, E, Bb-alto, Bb-basso) to modern Horn in F written pitch and Concert Pitch, with interval semitone shifts and clef rules.
{
"type": "object",
"required": [
"note"
],
"properties": {
"note": {
"type": "string",
"description": "Written note name with octave (e.g. \"F4\", \"G4\", \"Bb4\", \"C5\", \"F5\")"
}
}
}{
"type": "object",
"required": [
"note"
],
"properties": {
"note": {
"type": "string",
"description": "Written note name with octave (e.g. \"C4\", \"F4\", \"G4\", \"Bb4\", \"C5\", \"F5\")"
}
}
}